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As part of the 30th anniversary of Eureka Street, we're running conversations with the team who first started the publication in 1991, alongside various people who have played a part in the Eureka Street story. In this video, Eureka Street editor David Halliday speaks with Ray Cassin.
The university campus is really the ideal place to tackle thorny issues. It is a safe place to examine all ideas, even — or perhaps especially — those that people find offensive or disturbing. The sad fact, though, is that there is a push these days to send the opposite message to students — that they should be shielded from intellectual discomfort.
The Australian Government’s decision to buy nuclear-powered submarines has brought to the surface once again big questions around how governments should spend money, particularly during a pandemic. The Government has ditched a $90 billion plan for French submarines in favour of even more expensive boats from the United Kingdom or the United States.
Clive Palmer is one Australian wanting to smash border restrictions during this time of pandemic. He is threatening to go back to the High Court seeking recognition of his right as an Australian citizen to travel freely between the States. In particular he claims the right to enter Western Australia where he has significant mining interests.
Due to the impacts of colonisation which have led to everything from loving intermarriage to acts of sexual violence, most Aboriginal people have non-Indigenous relations. Most of these people have, at some time or another, experienced racism within their extended family.
The controversy over the shares of US video game company GameStop has again exposed what has long been obvious: there is something seriously rotten in the state of the world’s financial markets. It was a battle between a hedge fund, Melvin Capital, which manages $US13 billion, and a small group of ‘amateur’ investors who communicated with each other on a Reddit forum called WallStreetBets.
Last year, two documentaries regarding the Adam Goodes booing fiasco were released mere weeks apart: Shark Island Productions’ The Final Quarter and Madman Films’ The Australian Dream, anchored by Stan Grant. Given the topic and timing of both of the films, I couldn’t help but compare the two films as an Aboriginal viewer who spends a lot of time dissecting Australia’s racism in her own analysis. As I watched both of them, my reaction to each was markedly different.
The modern 'old maid' is no longer confined to the attic. She's in the workforce, the senate, leading in the community. Yet while gender norms are being deconstructed and cultural ideas of femininity are evolving, the idea women exist only to procreate still persists. Women are not only supposed to have children, they're supposed to want to.
As fires obliterated large swathes of Australia, I was largely oblivious to the news — though tenuously connected to events as I travelled through oven-hot, tinder-dry national parks in Southern Africa. It was only when I reached the airport in Johannesburg that the extent of the catastrophe became apparent to me.
It is up to business to determine what the market wants. And business is being given a very clear message of market sentiment, through people protesting. For government to attempt to regulate this is a burden on freedom of speech and a significant imposition on the market mechanism, the very thing Morrison says he is trying to protect.
A year ago, I made the decision to call a wrecker and get my car crushed into a cube. While realising how much money I was wasting was the tipping point, it was not the sole deciding factor. Firstly, there was the car accident I had nine years ago. Then there was going to Europe and seeing what public transport could be.
Recognising that financial systems are a human creation rather than natural systems governed by 'capital flows' would be an important step to conceiving a more robust and equitable system. To ask what kind of society we want and only then work out what we want money to do for us is to put the horse back in front of the cart.
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